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The art of batik

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The history of batik


Batik is an ancient art that has been practiced for over 2,000 years across Asia and parts of Africa. The complex dyeing process of creating batik involves a technique of wax-resist dyeing applied to the whole, fibrous fabrics.

 
While the true origin of batik is still a mystery, there has been evidence of its existence in various Asian countries as far back as two millennia ago. Batik certainly left a bigger mark in history when it reached Southeast Asia, especially Malaysia and Indonesia.


Malaysian batik’s design is more universal with its motif being more abstract, geometric, and floral-based, unlike Indonesian where theirs is more intricate, figurative, and mystical with earthy tones.

Batik in Malaysia was started in the 1920s by an artisan from Kelantan named Haji Che Su. He was the inventor of the batik stamp using copper metal as a heat conductor when using wax, allowing him to have a consistent pattern on the fabric.

 A PATTERN PAINTS A THOUSAND WORDS


The first step is to create the patterns on the fabric. There are two methods mainly used in crafting the art of batik.

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METHOD A: CANTING


The first method is a hand-painting technique called “canting”. It uses a pipe-like metal tool with a wooden or bamboo handle. The container attached is filled with molten wax to trace the outlines of the designs on the fabric.

This method requires composure and precision to ensure the tracing is smooth and unkempt. The artisan also has to ensure the wax inside is maintained at the optimal temperature for the best result.

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METHOD B: 'CAP' OR BLOCK PRINTING


The second method is block printing or “cap” using batik block. This hand-carved tool is one of the oldest tools used in making batik in Malaysia.

Batik block is an art in itself and is dipped into molten wax and stamped onto the fabric, easily creating repeating unique patterns.

CASTING THE DYE


Second step is to paint the dye onto the fabric between the intricate wax pattern.

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METHOD A: SOAKING THE FABRIC


One way of coloring the fabric after painting is to soak the fabric in dye. After that, boil it with water to remove the wax, leaving the patterns visible in their original white colour.

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METHOD B: BRUSH PAINTING


Another is to paint the fabric by hand using a brush, followed by boiling it with water to remove the wax.

After the dye dries, these first two steps can be repeated to produce multiple layers of design and color.

BETWEEN REAL AND DIGITAL


It is important for our customers to be able to distinguish between real and digitally printed batik so they can purchase authentic batik that benefits the local artisan communities.

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STEP 1: TURN IT OVER


Check if the fabric looks similar on both sides as the wax and dye absorb all through the fabric.

Real batik is hand-dyed and looks similar and equally vibrant on both sides.

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STEP 2: BEAUTIFUL IMPERFECTION


Because each piece is handmade and handpainted,
there will be some variance in the print and therefore unique.

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STEP 3: FEEL THE FABRIC


The use of fibrous fabrics such as cotton and silk is important because of their ability to absorb dyes. Touch the fabric to know what material it is made from.

If the fabric has a matte texture and feels like it would absorb water easily, it is more likely to be a natural fabric.